10.25.2009
capitol hill.
10.15.2009
ignitedenver 5
10.14.2009
fiction: man vs. nature
MAN VS. NATURE:
When I got home from work, there was a bear in my living room.
I started out this morning with flying colors - the perfect harbinger to a terrible day.
Nay, I say - perhaps the worst day of all.
The coffee machine was broken.
My coffee machine.
Well, I thought, no harm done. None at all. I’ll have to stop at a medium-priced coffee shop on my way to work and force myself to a non-fat latte. Or a cafĂ© au lait. Or something else French-sounding.
But I got pulled over. That's right, by a cop. And yes, my wallet had slipped out of my pants at some point in the mad rush of the morning. And, you're correct, I was late to work.
At work I found out that the program I've been working on for the last six months failed at the last second because of some miniscule typo that I somehow let through. It destroyed everything.
And it crashed the entire office network. Made the lights flicker. Everyone has to start over their projects from scratch. Which means that Melissa, the too-hot-to-be-a-computer-programmer I've been wanting to ask out, but never had the courage to, of course, probably hates my guts. On the plus side, though, it did make all the coffee and soda machines spew free beverages.
My mind being on other things, I ran out of gas on the way home, and had to push my brown Volvo six blocks to my apartment building where the elevator is broken.
I walk up four flights of stairs, slip off my shoes, lose my tie, and find myself face-to-face with the North American Grizzly.
He is watching a rerun of Sanford and Son.
I was never a boy scout. Never much for the outdoors, at all. I’ve never even really been camping or anything, so I’m pretty uneducated in the area of bears. I don’t know if I’m supposed to run or play dead or try to fight or offer him a Hot Pocket. Which I’m out of, anyway.
I notice that the bear, which is definitely not at all like Pooh, has very nearly destroyed my arm chair. I say very nearly instead of completely only because I could still tell what it was. The fabric was strewn about the room, along with massive amounts of foam and stuffing. Wood splinters covered the floor, and a larger piece of wood was stuck into the wall a few feet away. I realize that I don’t want to know why the bear hates my chair so much.
Well, hated my chair.
I’m also aware that he’s staring at me. I’m not sure exactly when his attention shifted from the television to me, but his black eyes are looking right into mine. I’m not sure if I’m supposed to look into his eyes or not. Neither of us move. I don’t know if I should move. This is very awkward.
I decide reason is the best way out of the situation. After all, if he can watch Sanford and Son, he can understand when I tell him he’s not welcome.
Or, at the very least, when I tell him that the food is off limits. Maybe we can order a pizza or something, later. But only if he doesn’t destroy any more furniture.
I break from his gaze, and turn, opening the door.
“Well, bear. It seems as though your little breaking and entering jaunt is over. I’d appreciate it if you would leave. Overstayed your welcome a bit.”
I look back at him. Is he mad? I don’t know if he’s mad or not. I can’t read bears very well. He just looks at me, then down at the door. Back up to me.
“Okay? So, go on out, and I won’t have to call the police.”
My voice shook a bit there, but in all, I think I’m doing a good job of staying authoritative. The bear, which I have named Opposite Pooh, or Opooh, at this point (considering his lack of whimsy and a bright red shirt), stands.
Oh, good, I think. It worked. He’s leaving.
He roars.
Maybe not, I think.
For the first time, I get a really good look at him. Opooh’s about three feet taller than me, and I’m a tall guy. Still, his height isn’t so much imposing as his overall size. I’m pretty sure he has to weigh about 900 pounds. He raises his paws and roars again. I notice razor sharp claws, at least half a foot long. This will not be good.
Not at all.
His fur is dark. Almost black. I thought bears were brown. He opens his mouth to roar again and it vibrates through the entire apartment. I wonder if the person living below me can hear it.
Someone bangs on their ceiling beneath me. They’re yelling something. Yeah, they can hear it.
“Listen to me, Opooh. I am a very important person. If you hurt me, many men will come for you. With guns. Lots of big guns.”
I don’t know if this plan will work. It seems risky, but it’s all I can think of.
“Do you understand ‘gun,’ Opooh?”
I make my hand into a gun. Raise it at him.
“Bang,” I say. “Bang!”
It was about then when he charged.
Maybe I shouldn’t have threatened him.
He’s on me faster than I could ever imagine something that big could move in such a small space, and his claws have ripped into my abdomen and shredded away most of my skin up into my right shoulder. I drop to the floor. The bear’s weight comes down on me and I can’t breathe, and he manages to catch most of my head in his teeth. His huge, powerful jaws close on me in a death grip and I can hear cracks and pops, panic filling my lungs and vomit filling my throat as I realize it’s the sound of my skull breaking. Blood is flowing down my face and into my clean carpet and I manage to get my hands wrapped around his snout, fingers in his nostrils, and I’m pulling as hard as I can and he’s relenting somewhat, but only, I think, because he wants to get at something not as hard as my skull. I punch at his face wildly and my ring catches his eye, and I can hear something ripping. He bites down as I swing again and I can taste my blood and he crushes my right forearm in one bite, ripping away shreds of skin and leaving only bone and gristle and blood and muscle still attached. I keep fighting, and I realize that his eye is bleeding from my ring but I can’t swing again - I can’t even move my right arm. I tuck into myself and I can feel his claws ripping into my back, followed by an intense pain as he bites into my shoulder and a thousand tiny needle points pierce into my flesh. I’m screaming and choking on my own vomit and I can barely breathe and all I can smell or feel is his hot breath, disgusting, stinking breath on my face and it smells like death as he roars and grumbles and growls in my ears.
“No!” I scream, gargling through blood and guts and vomit, “No, Opooh!”
I find the strength and I start to kick into him, but I doubt he even feels it as he bats me from side to side, claws ripping into me over and over again. He throws me back and I hit a wall, lay on it, nearly blind with blood, sticky, my shirt sticking to the floor. My arm slams into the wall and the exposed nerves hit and it feels like my arm is on fire. I reach out to him with it and he catches it in his teeth one more time and pulls, and I can feel the flesh on my arm and hand pulling off like I’m wearing a long skin glove, exposing blood vessels and nerves and he’s coming again but I kick as hard as I can and hit him right in the snout, then once in his injured eye and he rears back and lets out a deafening howl.
“Jesus Christ, bear!!!!” I yell, “What the fuck is your problem?!?”
He leaps on me and bites down on my face, tearing away most of my cheek and breaking the bone that holds my eye in my head. My eye falls out of the socket and I can see myself, upside down, for a split second before darkness. I try to catch it but I’m rubbing my head and I can feel where my scalp is lifting off in back and I lose it and decide not to try touching my face again. I dry heave and realize that I’m very, very cold.
I pass out.
When I came to, the Sanford and Son episode had long been over, replaced with an episode of Judge Judy.
And Opooh was long gone.
I dragged myself to the phone.
It took 22 operations and the better part of two years, but the doctors got me looking like myself again. The bear had broken my ocular cavity and my right cheekbone, and ripped off the right side of my face. He had crushed my right forearm and skinned it, leaving permanent nerve damage. I can’t make much of a fist with my right hand anymore. It needed grafts and the bones had to be rebuilt. I had a punctured lung and a ruptured spleen, and most of my ribs were broken. The pops and cracks I heard while the bear bit my head were actually the sounds of his teeth penetrating my skull, leaving small cracks and holes all over. Stitches and plastic surgery fixed my nearly severed scalp. My face, on the other hand, needed to be rebuilt from scratch- metal and dead men’s skin, grafts from my thighs.
Sometimes I feel like a cyborg.
Which is pretty cool, actually.
I really don’t look all that different. My right eye is a little lazy. I have a mean scar down my face.
I didn’t make any of the national news outlets. No one believed it. Now I just tell people that I got into a bad car accident. Or a bad motorcycle accident, if a cute girl asks.
I’m back at work now. Same place. Not a programmer, anymore, though. Have trouble typing with my messed-up hand. They were pretty cool about the whole thing.
And I’m okay.
In fact, I think tomorrow I’m going to try and give Melissa a call. The too-hot-to-be-a-computer-programmer will probably say she’s busy. Or she has a boyfriend, or she doesn’t even know me, or whatever. But it doesn’t matter.
I’ll call.
fictional characters my roommate has decreed "you just are!" in ascending order of similiarity.
4. drew baylor, from elizabethtown.
3. mr. brightside, from the killers song, mr. brightside.
2. ted mosby, from how i met your mother.
1. stephen bloom, from the brothers bloom.
10.12.2009
10.07.2009
mottos.
one of his lessons involved the idea that every artist should have a slogan, or motto, that runs throughout all their work - their entire aesthetic. we needed to figure out what ours was.
at the time, my motto was "hide in plain sight."
i would write these long analogous stories about things i was going through, the way i was feeling. and i thought they therefore inherently had power. i still do that, but slowly most of the analogous stuff is slipping away, most of the time.
so i'm here to present my new artistic motto.
"lay it all bare."
scrape yourself raw.
tell 'em everything.
and no, this is not all just an excuse to not feel weird that i wrote 10 minutes of standup material entirely about my penis.
10.05.2009
jealousy and the awkward triangle.
my great unrequited high school love was a girl named julie. the only half-regrets i may have about things like, say, high school, generally revolve around her (shoulda gone to prom together).
when junior year hit, julie became one of my best friend's girlfriend. yeah, it was one of those situations. he was like her first love. when they broke up, i went for it. it all went south, and my buddy and i stopped talking. for like two years (if you're out there, by the by, and you're eighteen, and you're about to start fighting with your friend over a girl: don't).
he and i grew up. we're really close friends again.
i still talk to her. we hang out, periodically. we dance around shit and we flirt and when she breaks up with whatever boyfriend she's with i ask her out.
she's like my paean to rejection.
i'm that guy she calls in the middle of the night when she has a fight with her boyfriend. i'm the guy she gets drunk and tells, "you know we're gonna end up together, right?" (so what, am i just supposed to wait? how about instead i'm gonna find me a nice girl and not be crazy with her, how about that?) i'm also, apparently, still victim to jealousy (her impression of my roommate and i:
me: oh i just love you so muchhhhhh.
rm: oh i just loooooooovvvvve you.
me: i know its crazy how perfect we are together.
rm: i just love you so muchhhhhh but we can't be together because you are fat and i am shallow and i am insane and you are a hypocrite.
me: i know but it's so hard because i just love you and we're meant to be together!
rm: we're meant to be together but we can't be, let's do some mutual masturbation).
apparently my buddy only talks to her when she booty calls him, which is a whole other blog.
but the truth is, her and i have never actually dated. just "danced around shit," to quoth myself. she told me once that she was in love with me and still is (she just loves her recent boyfriend more).
i never know how to introduce her to people, but i eventually started going with "my ex," which still succinctly sums up our general relationship and my feelings toward her. she heard that and also went with it. so now we're each others exes (do you see why i don't understand relationships?) i've met her boyfriend a couple of times. he likes my music, so i like him (i don't like him at all).
me and a group of my friends went to zombieland. i've known most of these friends for years. most of them know pretty much everything there is to know about me, minus specific sexual fantasies i have about my roommate (what? no).* my old high school buddy was among them.
we stand outside the movie theater, talking excitedly, stuffing down popcorn from that massive american bucket of butter, and i hear him say, under his breath, "oh, shit."
i'm busy, right then, making fun of my friend archie for being asian. i'm somewhere on my third "small dick big math skills" joke when my buddy repeats, "oh, shit."
i am spurred on by his reactions - he must be really enjoying the good natured ribbing (for her pleasure) i'm giving our oriental comrade.
he waves.
i don't understand why he's waving. he must see someone he knows. that makes sense, he's a popular guy. he's skinny and he has a fauxhawk and he wears this cool hoodie with designs on it that -
oh, shit.
julie walks into the center of the group.
everyone freezes.
she hugs my friend. she turns to me.
"hi," she says.
and in an instant, we are standing in a circle of triangle of awkward. her current boyfriend, her past boyfriend, the never-was.
demonstration:
this is actually something nostradamus wrote about, fyi:
in the City of the Mile and High there will be a great thunder,
Two brothers once torn apart by Chaos, while the fortress endured,
will stand hand in hand with the newest Foundation in hornrimmed glasses,
centered by the one who plays Roller Derby, God's game, and is both busty and asian.
it will be all Hella Weird.
my friend, with no idea of what to do, holds his hand out in the high-five position and nods slowly at current boyfriend. current boyfriend sighs and slaps his palm, lightly. they hold together for an instant, at the peak, like a gum commercial, and then slide slowly down.
"well," she says, "we gotta make the movie."
my friend and i meet eyes. our friends are still frozen.
she leaves, taking her boyfriend's hand.
archie looks at me and says, "see what happens when you make fun of asian people?"**
*just kidding, they know all of those. someone comment and tell them about the one in the wrestling ring with macho man doing play-by-play commentary.
**runner up:
chris (immediately after she leaves): do you guys need a hug? ***
a real exchange between my friends and i:
friend 1: who was that girl?
buddy and i: my ex-girlfriend.
buddy and i: no, your ex-girlfriend.
buddy and i: no, my ex-girlfriend.
buddy: jinx.
me: our ex-girlfriend.
a real exchange between me and my best friend, about a MYSTERY PERSON:
me: he's better than me. in every way.
him: i don't see how the two of you can even be compared.
me: me neither. 'cause he's better.
him: in what way is he better?
me: he got the girl, didn't he?
him: YOU WERE NEVER GOING FOR THE GIRL!
him: ARE YOU JUST CRAZY?!?!? IS THAT THE ANSWER??
him: DON'T EVEN TALK, I KNOW I'M RIGHT! THE ANSWER IS THAT YOU ARE FUCKING CRAZY.
10.04.2009
harbinger of doom (patriotism).

it was this bar that i ended up in on sunday night due to my (sudden) desire to not be in my empty apartment, working on the variety of projects that need to be worked on (watching copious amounts of bizarre streaming porn is a project).*
i didn't even realize it was sunday.
sunday is an interesting time for me. on mondays i usually don't work, or go into the office fairly late, or recently i'm filming my feature, r & d, available soon for your emo kung fu lesbian pleasures (and hard earned dollars).
sunday still feels like the weekend to me, but it's not for anyone i know, like people with real jobs or careers or futures.
my roommate also lives on this "sunday is the weekend" schedule, 'cause sunday is usually her day off (see also: tuesday). but her recent and sudden search for meaning means sunday and tuesday are generally reserved for dates with exes (october), or old co-workers, or tall standup comedians that are funnier than me. **
meaning sundays i'm on my own.
so i go to the park and i work on my jump shot (3 for 25!) or take the dog on a four mile walk or hang out at my parents and watch their tivo or sit in diners writing things like this blog entry on a notebook with a red sharpie while wearing a vest and tie and wishing i lived in a film noir where i'm an intrepid reporter uncovering corruption and looking for the truth - and then i become a vigilante and then it's less noir, more green hornet.
for all of you thinking - tim, you're presenting an untrue image, you're not that hip and cool (WHICH I KNOW IS NONE OF YOU cause, duh, of course i am), i offer to you this photographic proof:

some sunday nights i go to this neightborhood bar, but, honestly, not that often, which is why this story works.
everytime i walk into this bar alone on a sunday night, some shit goes down, and the cops get called, and i have to shake my head slowly and knowingly while smirking wryly and thinking, "oh, you."
ohhhhhhhh youuuuuu.
really, though. not an hour ago i was in the bar with colfax five oh.
guess what i was thinking?
i was thinking, "i need to stop coming in here on sundays," DON'T EVEN TRY TO PREDICT ME PEOPLE I'M A GODDAMN WILDMAN.
unfortunately, tonight's events were rather lame and tame compared to events previous (people not payin' their tab), so i figured i'd share with you the most interesting (entertaining? horrifying? sexy?) experience i've had on a sunday night at the neighborhood bar.
it starts with a charming english bloke and ends with me scrubbing the hardwood floors with bleach before the blood stains set in.
sunday night. full moon. as i approach the bar, i notice a variety of police outside and a large amount of yellow caution tape. somebody shot and killed two people in the middle of the street. the front of my bar is part of a crime scene. this doesn't make me giddy, because i know that would mean i'm going to hell.***
i go through the back door. i can do that, you can't. i'm like ray liotta in goodfellas or the faces in saturday night fever, 'cept there's no hallways, just a backdoor, and there's puke in front of it, so i kinda have to hop over.
the bar is mildly crowded - though not with any customers, really. the waitstaff is sitting around and drinking, along with some off-duty waitstaff from their sister bar, down at the dtc. i say hi. hugs are exchanged, and right then a charming british fellow who looks just like a 70s haired huckleberry hound comes prancing his way through the front door. he doesn't look at all perturbed by the image of american violence he's just walked through (should i be ashamed of my country? fuck no, at least we shoot each other over something cool, like drugs. british people do that shit over soccer. also their food sucks and all their women are either the greatest lookin' broads ever or fuckin' hydra and shit and really who needs deep fried snickers bars?).
he's a drunk but 'appy bloke. he's tol' ye ol' sadness to bugger off, ol'l tell ya, 'is chap roight 'ere.
he comes into the bar and orders and begins to drink cheap red wine and talk about how's he's on this big american trip and he's never been to america before and he talks to some girl about her backpacking trip through london and he's drinking and drinking and drinking and drinking and drinking and drinking and drinking and drinking.
the bartender and i are talking about baseball. she is from new york, and thus a lifetime yankees fan. i can't really abide that, but i hate the red sox, and so does she, and thus we are best friends who really enjoy discussing the way the red sox:
1) are stupid.
2) are probably legally retarded.
3) are racist (we have no proof, we just KNOW).
4) deserve to be spit on, specifically by the two of us.
5) probably would be hitler's favorite team.
skinnyuglynotcooljasonstaham hears us talking about baseball and says something like (slurred), "oi! are ye talkin' 'bout american baseball? game's for pussies."
the bartender responds, "it's not as cool as soccer, i'm sure. also, your country is for pussies."
we think, however, that we're still having fun.
but he's been drinking and drinking and drinking and drinking and drinking and drinking and drinking, at high altitude, no less.
so notcharmingnotattractivehughgrant stands up from his chair and says, "what the fuck is your problem?"
and we realize we have a problem.
"you fink you can stan' 'ere wif yore big american tits an' judge me?" he says.
"you 'on't know me," he says.
"calm down," says the bartender.
"you wif yo' big ol' rack," he says.
he's harping on the breasts.
he knocks his glass on the floor and it crashes and shatters, just like the british rule of our country.
"okay," she says, "you're out! you're done! cut off, kicked out, done!"
"you wif yore chest," he says, "frowin' me out."
"you gotta go, buddy, and if you come back in, that's trespassing. also i'm trying really, really hard not to jump over the bar and break the shit outta your limey ass, right now. ask him, i'll do it."
i have seen this.
"she'll do it," i say.
"fuck all ye," he says, throwing down a twenty. he walks out.
five minutes pass.
he walks back in.
"i wont me anova drink," he says.
"we're all outta ale," says the bartender.
"i won't be leavin' 'ere wifout anova drink," he says.
the bartender looks at him, then at me. she steps outside the front door. i hear her say, "excuse me!"
thirty seconds later a cop comes in. he's alone. i will learn later that he's handed her his flashlight and instructed her to go outside and direct traffic, in his place. i am neither kidding, nor exaggerating.
the bobby looks at the chap. the bloke looks at the constable.
"i'm gonna need you to put your hands behind you, sir."
"i jus' want a drink."
"well, you were told you had to leave. i need to you to put your hands behind you, and i need to search you."
the cop starts frisking the guy, takes out his passport. terrible photo.
"you understand that when you're told you have to leave, you have to leave, right?"
"i left," he says.
the cop looks at me.
"did he?"
"he came back," i say, snitching.****
"put your hands behind your back," the cops says, pulling out his handcuffs.
"now listen 'ere," says youngbritishdonrickles.
"put your hands behind your back," says the cop.
the brit throws an elbow.
the cop responds by hip checking him onto the ground, by way of slamming his head into a menu rack.
i have seen a british man's skull. blood starts pouring out.
"ah, fuck," says the cop. i will learn this later, but outside, the bartender has caused nearly four wrecks, and a car is squealing past her, right at this instant, yelling obscenities at the scantily clad cop with the great rack.
the cop calls an ambulance. he goes outside. the bartender comes back in.
the british guy says, "ohhhremmmeoh." (with an accent)
the ambulance comes. they ask him a variety of questions, like, what's your name? and where are you from? and how ya likin' america, chump?
he answers, respectively, "amurrph," and "durrrm," and "not very much at all."
they strap him to a big yellow board and walk out. they make us sign some papers. the bartender and i put on gloves and get rags and clean up the blood with bleach and rags.
i go home.
i go to sleep.
the story actually ends with me asleep.
*not really a project.
** of course that's gotta be the one that takes.
***i'm going to a special part of hell.
****i break the rules of the streets all the time and it adds to my self-loathing.
10.02.2009
a guest post by pathetic fifty cent.
you can find me in my home, no dom perignon, mama i got what you need if you need to feel alone - i'm into havin' sex but i sure ain't gettin' none, so come and give me some but i doubt that you'll have fun.
i don't know what you heard about me, but i'm pushin' at least three hundred fifty -
my shoes are cool but i can't see my feet
'cause i'm motherfuckin' eff aye and tee.
it's follow friday.
i figured it'd be cool with y'all if i presented my own version of followfriday, with twitterererreererrrss you should follow along with other people i know - like musicians you should listen to or filmmakers you should keep an eye on (the rule is i have to know them in some way, that's why you're not gonna get an entry reminding you that beyonce's "halo" is the new greatest sappy pop song ever recorded).
twitterers:
@fireland the funniest motherfucker in the mile high, and probably the funniest motherfucker on the internet (this is my one cheet - beyond him being a denverite, i don't know this dude at all).
@paulberluteshea a funny standup and all around good guy that i first met at a bachelor party, of all places.
@caligater remember that e-crush thing? (don't tell her, it's creepy).
@2509 ME!
@wired_writer chris daruns. whatever.
blogs:
my friend @philwrede has a kickass blog at http://mysteriousrantings.blogspot.com/
he's also the marvel comics examiner.
http://www.examiner.com/x-11376-Marvel-Comics-Examiner
music:
the swanks.
http://www.myspace.com/theswanks
my favorite band in all of denver, kickass songs, amazing live show, fun to hang around with - they were my senior thesis film, "lily and her pink guitar."
the forth yeer freshmen.
http://www.myspace.com/forthyeer
my other favorite band in denver - high voltage tongue in cheek rock. i almost did a video with them but it never came together. sad face emoticon.
jen korte and the loss.
http://www.myspace.com/jenkorteandtheloss
i've never been more in love with a woman's voice and songwriting as i am with jen korte's. she was wonderful enough to play on my webseries "bands my parents wouldn't like playing in my parents house," which is still sitting around unreleased (sorry again, everyone, SOON!)
mybodysingselectric
http://www.myspace.com/mybodysingselectric
so i don't actually know them. but it's twitter, everyone knows everyone.
film:
fernando huerto:
he's in san diego, he rocks, he's done some voice work with me and one day i'm gonna go out to san diego and we're gonna make a kickass short together.
he took a train out to denver two years ago and hung out in my apartment for two weeks to action direct my senior thesis.
misc:
want some cool photography?
http://http://www.csiphotography.carbonmade.com/
he took pictures of me and i was at his wedding and it was AWESOME. (congrats, enrique! @camerashyinc on twitter)
want some cool hip hop shit?
http://www.certifiedcustoms.net/
(@certifiedcustomsinc on twitter)
fiction: waterford crystal and space bullet trauma.
“If you have sex with a model,” I say, “and then fuck a guy in the ass, and then have sex with another gorgeous model, I still have the right to give you shit about the sodomy.”
“Whatever,” he says. He shrugs and moves towards the pool table, on the other end of the bar.
He’s a fuckin' wanker anyway.
About then Sheila walks in. Stomps in, really.
My girlfriend is bi-polar, and not in the fun “I have two girlfriends in one” kinda way, but in the “kill you in your sleep” way. It seems to me that very obvious and rational concepts, things even autistic children can comprehend, continually elude her understanding.
Sometimes, after making a very basic statement, something short and lacking in superfluous adjectives, or when I say something simple and inarguable, like, “I like pie,” she’ll get this look on her face, her brows lifted, her lips tightly pursed, her jaw clenching as she breathes out, cheeks sucking in so subtly as she inhales. Eventually she’ll stop, moving her bottom lip sideways, generally to the right (my right), and say something like “No,” or, “That’s impossible.”
The idea then is to refuse to take the unintentional bait generated by her stupidity, to nod and say “I guess you’re right,” and then get her in the bedroom and fuck her so you can sorta remember why you keep her around - even though she has the tendency to steal your prescriptions (especially antibiotics, never pain killers), hog the TV remote (to watch shows about remodeling ugly rooms into uglier rooms), and continually sneak small bites out of expensive blocks of cheese.
I don’t hate women. Just Sheila.
Gunshot wounds to the head have become the leading cause of head injury in most U.S. cities. They’re the most lethal of all firearm injuries - only about five percent of people who get shot in the head live through it. Because of this high mortality rate, cranial gunshot wounds account for only about ten percent of all traumatic brain injury patients who survive. Two thirds of victims die before getting to a hospital. Doctors call it a “blown mind.”
I think she’s mad about something.
“How can you do this?” she’s asking, but I don’t know what in God’s name she’s going on about.
“What? What?” I say, straining to hear over the din of the bar. It’s getting close to midnight, and the place is about full to capacity. I notice that in her righteous fury, Sheila has taken the time to get two glasses of champagne. I don’t know if one is for me. It might be. It’s Sheila-logic.
I haven’t had champagne in a long time.
“You think you get away with everything, don’t you? You think you’re so much smarter than me!” she says.
“Well, I got news for you,” she yells, “you’re not.”
I still have no idea what the fuck she’s talking about. It’s still half an hour to midnight and the entire place has erupted into Auld Lang Syne. Fucking drunks.
Across the bar, Greg raises a pool cue in victory. I want to make my way over to him, but I’m pinned up in the corner, thigh pressing awkwardly into a stool. Periodically I get bumped and I can feel it digging in, the bruise getting bigger and bigger. Dick Clark yells at me from a hundred TV screens. Sheila’s talking again.
Turn your head and cough, New York City. Turn your head and cough. They say that the way you spend New Year’s Eve is a prediction for the entire year to follow.
I wonder if the fancier bars’ glassware is made by Waterford Crystal. I wonder if anyone, anywhere, at a fancy bar tonight thinks that’s interesting.
“I thought you were going to be with your girlfriends tonight,” I say to Sheila, and as I lean forward she winces ever so slightly. I don’t know why, because I didn’t mean anything by it, and it’s not like the move was sudden.
“You hurt me,” she says. “Don’t you get it? You fucking hurt me,” and while I do hate her, I don’t think she knows it for sure, and I haven’t done a goddamn thing to her lately, and some fucking asshole in a polo shirt is asking Sheila, “Hey, is this guy bothering you?”
The easiest thing to do would be to walk away, but of course there are people everywhere and it really just ends up being awkward for everyone involved. I say, “Whatever,“ and try to slide out of my prison and immediately receive an angry bump of retaliation. I push through, past the others, and make my way toward the pool table, leaving Sheila to wash down a bottle of roofies with a quart of vodka alongside polo shirt.
Virtually all cranial gunshot victims are aggressively resuscitated upon arrival at the hospital. If blood pressure and oxygenation can be regularly maintained, a CT scan of the brain is obtained. The decision to go in surgically is made based on the patient’s level of consciousness, the degree of brainstem neurological function, and the findings of a CT scan.
If you’re deeply comatose, based on the Glasgow scale, with minimal evidence of brainstem function, and there’s no intracranial hematoma,
they don’t even fuckin' bother.
“What’s up?” asks Greg. He just won twenty dollars from some idiot who’s actually wearing leather pants.
“I don’t know,” I say. “Sheila’s wiggin' the fuck out.”
“I saw her come in,” he says.
“Whatever,” I say.
He starts up another game with some dude named Wes, a regular we see every Friday night. He’s always yammering on about some new life philosophy he’s picked up. I decided I hated him when he introduced himself as “Wes, the existentialist absurdist.”
Now I think he’s “Wes, the daoist modernist.” His shirt has a large Asian symbol on it, and I’m sure he has no idea what it means. I’m going to translate it to “douchebag.”
“Hey, Wes,” I say. “How’s it hanging?”
“Everything just is, man,” he says, racking the balls. He’s drinking Tuaca. Tuaca.
I turn to Greg. “When’d we decide to pick up Dickface McGee, here?” I ask.
Greg sighs, rolls his eyes. He walks around the table, breaks. I didn’t notice it but he’s managed to take over one of those thin, tall bar tables against the wall. I sit down, look around. For a shitty bar in a shitty part of town, it’s amazing how crowded it is with young professionals. Everyone’s smiling, talking, laughing. I smile.
“Did you guys know,” I say, “for New Year’s Eve, in Flagstaff, they drop a big pine cone?”
Greg knocks the 9 into the corner pocket.
“In Tempe, Arizona, they drop a big tortilla chip into a giant jar of salsa.”
“In Brasstown, North Carolina, they drop a live possum in a cage.”
“In Knoxville, Tennessee, the ball rises, instead of falling.”
“Ignore him,” says Greg. “He thinks he’s smarter than everyone.”
Someone’s playing the jukebox. Love ya/ I need ya / I think I wanna squeeze ya/ Nightly so tightly, girl/ you know you really blow my mind.
Say it again/ Just one more time/ I've got to know/ How you came to blow my mind.
Greg’s somehow managed to sink everything, and now he’s going for the eight ball. He has a perfect shot. I stand up and walk around the table, getting in his way. He doesn’t know what’s going on, but I grab the cue ball and roll it into the eight, knocking it into the pocket.
“What the fuck, dude?” yells Greg.
“Fuck you,” I say. “You suck anyway.”
“You’re such an asshole,” says Wes.
“Fuck you too, Wes, you sanctimonious piece of shit.”
People are moving outside. There’s only a few minutes left in the year. In a few minutes people get their fresh starts. They kiss their sweethearts and feel all loved and shit.
I start to walk out and get halfway there when I hear a voice.
“Hey!”
Shiela’s managed to find me again, and she’s managed to get herself half-drunk in the twenty minutes since I’ve last seen her. She opens her mouth to say something else, but before she can I decide that it doesn’t really matter and I step forward, in close, grabbing her shoulder and ramming my fist into her stomach. She lets out a sound like she’s dry heaving and bends over, gasping. She drops to her knees and I adjust my collar and I turn around and walk outside, into the night air. Look up.
The sky is clearer than I could ever remember seeing it before. The stars seem to shimmer in the sky. Everyone smells like sweat and booze and cigarettes. The countdown starts. I breathe in and start to speak, my voice joining the crowd’s, in perfect unison. As we move on I get louder and louder with every number until I’m screaming at the top of my lungs and as we hit zero I’m screaming “Happy New Year!” and turning and hugging strangers and fireworks are going off everywhere and you can hear people screaming and cheering and firing guns into the air and blowing into party squeakers.
Someone fires in a perfect parabola a thousand feet away and the bullet rams into the top right side of my skull, spinning into the bone and inflating into a perfect hollow point mushroom. It tears through the lobes of my brain and rips its way into my ventricular, and I drop to the ground without a thought or a yell or a mumble or a well-timed sarcastic remark. No one notices. People walk back into the bar, smiling and laughing and talking. I lay on the pavement, cold.
Everything hurts. Nothing hurts. I slowly roll over, onto my back. I exhale smoke rings and cough, but I do my best to stop it, not move, fearful that something else will rip inside if I move my head around too much. I slowly raise my head, look down at my feet. Stop. Lay on my back. Ease my head back, look up again. The fireworks are still going, and I change color with the light, from blue to red, from red to green, from green to white, and then nothing. Smoke makes everything hazy. The clouds roll in.
I turn my head to the side and spit. “Fuck it,” I say.
I stand up, stare at the ground. Looks like I landed in a puddle of motor oil.
I pull off the jacket, look at the back - it’s covered in black fluid. I throw the motherfucker onto the pavement.
Perfect. Just perfect. Seems like a fitting end.
I touch my forehead, and my fingers come back sticky - blood runs down the right side of my face. I pick my jacket back up and wipe it away, trying to get as much as I can off. I manage to get as much as I can without any kind of mirror and throw the jacket back onto the ground, kicking it away. I roll my sleeves up and go back inside.
I walk back into the drunken din and immediately wish I had waited another minute, until someone had chosen another song on the jukebox. I look around for Sheila and Greg but I don’t see either of them - they’re probably comparing “he’s such a dick” stories. I push my way to the bar and order a vodka soda.
“Keep it coming,” I tell the bartender. He pours without looking at me. He’s avoiding my eyes. My head.
“Do you have a fucking problem?” I ask. I start to blink my right eye quickly and uncontrollably. Like the twitch you get when you haven’t slept.
“You don’t look so good,” he says. “There’s something wrong with your eye.”
“Well,” I say, finishing off the next drink, “there’s obviously many things wrong with both your eyes, asshole. Because I feel great.” My eye starts to water. I close it and turn around to stare at the bartender with my left.
“I just wink in slow-motion,” I say.
Less than five percent of people who get shot in the head live through it. Two thirds of victims die before reaching a hospital. Doctors call it a blown mind.
In ballistics, space bullet trauma occurs when a bullet is discharged into the air and falls onto a person. A recent study by the CDC found that eighty percent of celebratory gunfire-related injuries are to the feet, shoulders, and head. In Arizona it’s a criminal felony to discharge a firearm randomly into the air, but in all the other states, it’s a misdemeanor.
I finish another drink and while I’m standing there I feel a pain in the back of my mouth, on the right. I tongue at my gums, searching it out. Something crumbles. I reach into my morals with my index finger and thumb, push back until I can feel the powdery residue. I grab a hold of the tooth and pull, very gently, and it just slides ever so easily out of my gum, the root coming up, like I’m planning on replanting it in another place.
I turn to walk to the bathroom and bump into Wes, the “irritating megalomaniac,” and he spills both his beer and his Tuaca all over his asian character shirt.
“It looks like there’s something in your hair, dude,” he says, and I push past him, slapping the Waterford glassware down and out of his hands. The glasses hit the ground and shatter, spreading across the floor. I watch pieces of it spiral out and disseminate through the crowd, and I hit the bathroom door, accidentally dropping my tooth. It falls and I open the door and press inside into the cool florescent light. I bolt the door behind me.
The bathroom is unexpectedly spotless. It smells like bleach and pine cleaner. Everything is white. White tile on white grout. White toilet and white sink. Silver handles. I turn the one marked “hot” and let it run.
I still haven’t looked at myself in the mirror.
I start washing my hands, the hot water steaming and turning them bright red and raw. On the second or third round I look up, abruptly rather than gradually, and see that my right eye is overflowing with blood. I blink and little bits of coagulated blood stick to my eyelashes. I realize as I move my eye back and forth there’s the slightest bit of resistance, a thickness.
I try to wipe it with a paper towel but just end up sticking little bits of paper all over it, and I have to try to pull them off slowly and one by one, letting little droplets of water roll off my index finger and into my sclera, moistening the paper enough so it’ll stay together.
I’ve just pulled the last piece off of my eye, leaving it all marbled with blood, when someone starts pounding on the door. I ignore it.
The pounding comes again - “I know it’s you in there!” Greg. Jesus H. Christ.
“Of course it’s me, jackass!” I yell back. “Gimme a fucking second!”
He shuts up and stops pounding, probably just leans against the door, thinking I may open it and try to make a break for it. He should know better. As if I give a shit about him.
I lean forward as far as I can over the sink, into the mirror, pulling back my hair, parting it. The hole is big enough for me to stick my index finger into. The hair around it is singed and tangled, matted by dried blood, and the hole is nothing but black. It’s not how I thought it would be. It’s sloppy. The bullet must have slowed down some, because I can see little pieces of skull lurking underneath or around the skin, like it was cracked, hit - not penetrated. I do my best to pull hair back from around it, try to maneuver into a good position to see inside. I pick at the scab surrounding it with my fingernail, and pull part of it off, but there’s no blood. I lean forward more, peering into my head, standing on my toes. I stop. This is stupid. And wrong, probably. No telling how messed up I am. Things are ripped up in there. Might still be ripping.
I push my index finger into the hole, up to my knuckle, then as far as it will go. It goes in smooth, without too much force, without friction. I slowly start to wiggle my finger through the wetness, and I can just feel the spongy material that just might be what brain I have left. Either I’m very lucky, and this is all just brain matter that human’s don’t use, or I should be in a goddamn medical journal somewhere.
I should be a superhero. Bullet-in-the-head-man. Skullcap penetrator. I stretch, push as deep as I can, and my fingernail scrapes something hard. I pry at it but it’s deep, and it’s surrounded by meat. I try again and my fingernail catches instead on something soft, and it starts to come up until I shake it off. Greg pounds on the door again.
“Let me in, asshole, before I break this door down!”
He has a kind of flair for the dramatic.
I undo the bolt and the door flies open. Greg comes storming in.
“What the fuck is your problem, dude?” He says, gathering up my collar. He lifts and strains, and I think he’s trying to lift me up. He succeeds in stretching my shirt. I just look at him. Sheila bought me this shirt.
“I talked to Sheila,” he says. “She told me what you did.”
“Who gives a shit?” I say.
He just stares at me.
“You’re not even gonna do anything,” I say.
He looks at me. Glares, really. I can almost feel shit coming out of his eyes. He lets go. Takes two steps back, his toes dragging. On the second step he drags perfectly and there’s a long drawn out squeak from the sole of his shoe. I stifle a chuckle, but only enough to make sure he knows I’m stifling it. His head goes down, and he steps out of the room. Sheila comes in on fire.
“You fucking asshole,” she says. “Where the fuck do you get off?”
I lean forward, bowing, so she can see where the bullet entered my skull. The bruising, the burning, the blood. I wait for a gasp or a gag.
“You think you can just fucking do that to me?” she says.
“You think I’d just let you lay your hands on me like that?” she says.
I stand erect. She’s looking right at me, but she hasn’t. even. noticed.
“Greg and I are gonna kick your ass,” she says.
“Oh, fuck you,” I say. I push her to the side and slam the door, bolting it. Greg comes running up to stop me, but he’s slow and stupid and a fucking pansy and I’d love to see him try shit.
“You hurt me,” she says. “You really hurt me, you know that?”
I push her into the wall.
“You think you can get away with everything. But you can’t,” she says.
I grab her by the neck and shove my tongue down her throat, and there’s scarcely a “no” or a “don’t” outta her, and I realize there’s an obvious upside to having a bipolar girlfriend.
I push forward into the realm of uncomfortable - for the both of us, extending my tongue like an awkward fourteen year old, pushing my face into hers as hard as I can, pulling back and raking her top lip with my teeth. She gasps and pushes me back, and I’m off balance for a second, thinking she’s gonna swing or scream but instead she leaps at my belt buckle, pulling it loose. I find the passion of the moment inspiring, and attempt to tear her blouse, but just succeed in pulling her into a stumble, her high heels slipping across the tile.
She throws her hair back and turns around, sitting on the sink, hooking her hands under her knees and lifting her legs to her sides. I shove most of my hand into her mouth.
There is no loving contrition. I am not sorry. In fact, I feel better than I have in a long time.
Sheila reaches up and jams her middle finger as deep into the hole as it can go and I fucking scream because I can feel her Lee’s press-on nails sinking into something important and for an instant every thought I have is consumed by the word “poppycock.”
I smell eggs.
She starts screaming. I push her aside and hurl myself at the toilet.
I vomit.
I vomit until my throat burns and my voice comes out in rasps. Until I feel like I’m suffocating. It starts out a frothy brown and slowly makes its way to clear, pausing in the middle for a quick stop at pink, my mouth filling with the taste of rotten onion rings and orange juice, screwdrivers and scotch I didn’t like, gobs of yellow phlegm standing out against the thin viscosity of the contents of my stomach. I stop, start to dry heave, and gasping for air, double over in the stall - a perfect fold down my midsection.
The bullet clinks against the tile.
Both of us stop. We can’t even hear the bar outside. Everything is completely quiet. Everything slows. I can count the flicker of the florescent light. She looks at me and blinks, then starts to stammer. It’s either an insult or an apology. Anger or remorse. She adjusts her skirt, attempts to arrange her blouse. My ears are ringing. She slides open the bolt and runs out.
I stand watching.
I don’t know if I’m dying. If things are ripping apart on the inside. I don’t know if this hole will close and fill in and everything will be the same again. But it doesn’t really matter.
You can look into my eyes and see that they’re the same as they always were.
There’s simply nothing fucking there.
10.01.2009
priorities.
my dad has a variety of them that he made up, and says, and then i use them, and people around me don't know what i'm talking about, and i'm confused by that, because surely they all grew up with my english-as-a-second-language sixty year old father, so why do they not understand what i mean when i say, "i'll be there jolly on the spot," or "manana (tilde) eez gud enough fer me," or, the classic, and my segue (or segway, if you like scooters) into today's topic, "first comes first."
i'm not good at organizing and prioritizing. i'm not good at responsibility.
things i am also not good at:
- being a surrogate father for any girl with major daddy issues, which makes me think i'd probably also not be a very good real father, as my philosophy tends to be GO FOR IT DO WHAT YOU WANT (i don't want to overstep my bounds) oh christ i can't believe you got drunk and had sex with the census guy in my room and now you're upset and YOU WANTED ME TO STOP YOU?
(IT'S NOT EVEN A CENSUS YEAR!)
- grocery shopping. the stores depress me.
- croquet.
- love.
see what i mean? look up at the top of this entry. it's called priorities. how did we get to bulleted lists of my inadequacies (because every entry will get there eventually)?
i have 1000 dollars. should i
a) pay my rent and car payment
b) rent an expensive hotel room and film girls i know pretending to have sex with each other in it
c) buy three pairs of limited edition sneakers that i'll wear once or twice
a is responsible. b is something i used to throw you off, because it's responsible too, 'cause it's part of my work. c would be the bad one.
c is the one i generally go with.
and yet, i know for a fact that i am better at prioritizing than other people. like, say, if you're gonna go on a date with someone and haven't been on that date - you should go on the date before planning out your relationship with them. i am capable of putting those things in the correct order. you should eat when you're hungry, not eat and then justify it by saying you would eventually get hungry (i didn't really learn that until recently, though).
i was at charlie brown's (a bar near my apartment, for all you non-denver folk and peanuts fans) the other night with the roommate, a place i am prone to be with a person i am often prone to be with. we were sitting on the patio, engaging in idle chitchat, if you will, eavesdropping on others (turns out october is the "obsessed with having sex with exes month"*), and generally enjoying the new, plush cushions charlie brown's puts on the outside chairs in the fall/winter (summer is too hot for comfort).
i stood up and expressed my desire to use the restroom, while my roommate expressed a desire for a pack of cigarettes from her purse, which remained inside.
upon entering the bar and reaching our table, i felt a hand grab my ass with a great deal of force and slowly begin to knead.
in the instant before i was able to turn around, time slowed, and i quickly ran through a list in my head of who could be standing behind me. surely it ain't my roommate, who would cauterize her hand until it was a bloody stump upon even accidental contact with my ass
(don't even ask what she would do if we had sex)
(i'd just get tested for stds OH SHIT BURN ROOMMATE).
i didn't see any girls i knew while walking in, and to be honest, (sadly) i don't think i know any girls who are that specific type of frisky. i assumed it was my one close token gay friend (well, the only friend i have that admits it), who had somehow come down from boulder and was just lying in wait to surprise me (follow him on twitter @matraxis to hear all about his grabbed-tim's-ass-again or got-tim-drunk-and-tried-to-make-out-with-him-almost-successfully-because-tim-loves-anyone-who-loves-him exploits).
i turn around and look deep into the eyes of a man i've never seen before, who looks exactly like my high school math teacher, down to the plaid wardrobe, mustache, and pulled high khakis.
i look confused. he stands there for a second. weaves toward me, then back out. still kneading my ass.
"are you down with the homo?" he asks.**
i'm just sayin', if it were me? i'da switched the order of the two actions around.

*here's why this idea is strange to me - i once made a pie chart to explain how i spend all my time (for therapy):
** i responded, "i'm sorry, man. no," which is my standard response to the many, many people who find me super attractive but i have no interest in, due to them being the wrong sex,*** or having a lazy eye, or them being more than 5 pounds overweight, or really really liking bands like 311.
*** speaking of which, this is like the eighth time a dude has hit on me in the past couple of weeks. do i have really good hair recently or something? (@matraxis are we still going to tracks on saturday I NEED TO FEEL LOVED)****
**** my roommate, who doesn't get it because "i look at you and gay is the last thing i think" (same here, i'm fat and sloppy and believe only in stereotypes), said maybe it's because i have some sort of "feminine intuition" - as in (according to her) i understand women really well (i disagree with that statement. a lot.)
